Inspired by a trip to HMP Holloway, Kate Tempest’s Hopelessly Devoted sees a young mother in a battle between emotion and creativity.
Amanda Wilkin gave a standout performance as Chess, a reluctant singer who is imprisoned after killing her abusive husband.
Inside jail she meets Silver (Martina Laird), an ex music producer who is running a course for prisoners and discovers Chess’s talent for singing.
Martina’s performance was a little unconvincing as she seemed more like a teacher trying to convince pupils she was cool once rather than playing a former superstar music producer.
It would have also been beneficial to know who exactly Chess was “hopelessly devoted” to during the performance.
The connection between Chess and her cell mate Serena was left slightly unfulfilled, it was often said that they were “in love” but it was unclear just what that was supposed to mean. But their comical exchanges and dances were a great light relief.
The Rep’s smaller theatre venue, The DOOR, generated intimacy, performers acting below the audience as if themselves incarcerated.
Rap interludes, equally well crafted as they were delivered, were a particular highlight in what was an enjoyable show.
